David Adjaye is a celebrated British Architect of Tanzanian and Ghanaian descent. His influences range from contemporary art, music and science, to African art forms and the civic life of cities.
Recognized as one of the leading architects of his generation in the U.K. He formed a partnership in 1994 and quickly developed a reputation as an architect with an artist’s sensibility and vision. His ingenious use of materials, bespoke design and ability to sculpt and showcase light have engendered high regard from both the architectural community and the wider public.
He reformed his studio in June 2000 as Adjaye Associates and has since gone on to win a number of prestigious commissions. Projects have been diverse in scale, audience, and geography; collaborations with artists including Chris Ofili and Olafur Eliasson, exhibition design, temporary pavilions, and private homes both in the U.K. and New York. More recently, major arts centers and important public buildings across London, Oslo, and Denver have demonstrated David’s considered approach to understanding the needs of the constituency served by each building and a respect for integration with their existing locale.
David understands his status as a role model for young people and lectures frequently. He was the first Louis Khan visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard’s Graduate School of Design. Previously a unit tutor at the Architectural Association, David was also a lecturer at the Royal College of Art where he received his MA in architecture in 1993. That same year he was awarded the RIBA First Prize Bronze Medal. Following this, he trained at David Chipperfield Architects and then Eduardo Souto de Moura Architects in Oporto.
In May 2005, Thames & Hudson published David’s first book, David Adjaye Houses: Recycling, Reconfiguring, Rebuilding which was distributed worldwide. In January 2006, the Whitechapel Gallery in London hosted the studio’s first exhibition ‘David Adjaye: Making Public Buildings,’ which was accompanied by a book of the same name. The exhibition then toured to the Studio Museum in Harlem, New York, SCAD Savannah, and the Museum of Contemporary Art/Denver.
David has co-presented two television series of Dreamspaces for the BBC, a six-part series on contemporary architecture, and hosted two BBC Radio programs; the first featured an interview with Oscar Niemeyer and the second with Charles Correa. In June 2005 he presented the TV program Building Africa: Architecture of a Continent. Following on from this he is pursuing a personal project documenting each of Africa’s capital cities to culminate in book and exhibition in 2009.
In June 2007, David was awarded an OBE for services to architecture in the Queen’s birthday honors list. He received an honorary doctorate of the arts from the University of East London in November 2007 and is an honorary member of the AIA New York and the American Academy of Arts and Letters.


ZIFF is excited to announce two new categories for 2018, Best TV Series and Best Web Series. With the increased focus on content for TV and digital, and the breaking down of barriers between content types, ZIFF has identified the need to support producers and directors who are working in these mediums.

The category for Best African TV Series will be open to any African produced or co-produced and broadcast within the last two years. Three episodes would need to be submitted for consideration via the on-line application process as below.

The Best African Web Series Award category will have the same eligibility requirements and will recognize excellence in the rapidly expanding area of digital content.

Festival Director Fabrizio Colombo has these words to inspire filmmakers, “ZIFF 20th marked a turning point in the history of our festival. We are geared up and focused on both the business and and the passion of what we all love: CINEMA.  With the big step this year of ZIFF’s partnership of DISCOP ZANZIBAR, we are ready and excited to welcome all the players in the business of film, television and content production. TV and digital communication will gather transforming ZIFF in a great platform to boost East Africa industry.”

Every year ZIFF has a theme that helps drive programming, with the theme for ZIFF 2018 being SPEAK UP AND BE HEARD! As Colombo explains, ZIFF’s new partnerships and competition categories will provide the opportunities for African cinematic voices to be seen and heard, “Our theme this year Speak Up and be Heard – Sema na Usikike is so appropriate, as it is often the artist, the filmmaker, who has the courage raise a voice to defend, to denounce and to provoke societies when human dignity and life is attack under systems of power and injustice.”

In acknowledgement of the role that films play in contemporary society, festivals bestow film awards as a measure of the value that the industry accords festivals, and offers filmmakers a tribute to their creativity, innovation, and craft.

The official prize list for ZIFF 2018 include:

Best Feature Film
Best Short Film
Best Documentary
Best Feature - Dhow Countries
Best Short - Dhow Countries
Best Film - International
Best Animation
Best East African Film
Best TV Series
Best Web Series

These film are judged awarded by independent jury panels

·  Chairperson’s or Bibi Kidude Award (from ZIFF Board)
·  ZIFF Lifetime Achievement Award.  (From ZIFF Board)
·  Sembene Ousmane Prize: GIZ and ZIFF will award the SEMBENE OUSMANE PRIZE FOR DEVELOPMENT FILMS for the 3 best short films made by an African or an African in the Diaspora.
·  Bongo Movies Awards: Popular culture films in Kiswahili
·  Emerson of Zanzibar Prize Films: Films of all genres about Zanzibar, made by or made in Zanzibar.
·  SIGNIS Awards (Best African Film and Best East African Talent Award) The SIGNIS Jury will present its Award to a film that is deemed to exemplify universal and spiritual values that enhance human dignity, justice and tolerance through the art of cinematic expression.
·  EAFF Award (European African Film Festival)

·  Adiaha Award for BEST DOCUMENTARY by an AFRICAN female Filmmaker

Deadline for submission is 15th March 2018.
Submission Procedures:
·  All submission must be done through ZIFF platform on
(link is can be found on the website of the festival)
·  A signed and fully completed application submitted by e-mail at
·  To be eligible for programming, the entire application MUST be completed and signed.  
·  The submission deadline is 15th March 2018.
·  Freight costs of any film will be borne by the producer.
·  Selection results will be available from May 15, 2018 on our 
·  Any film at ZIFF may have five (5) public screenings at the most, including one press viewing. However, further screenings could be organized if the producer so agrees.
·  No DVDs will be returned. They will be kept at ZIFF for archival purposes.
·  ZIFF is committed to preserve the copy of film from any act of piracy and illicit business.

Ngome Kongwe (Note: this is the physical Address)
Tel: (+255) 773 411 499        

Lara Preston
Media & Publicity


Tebogo Ditshego is the Group CEO of Ditshego Investment Group, CEO of Ditshego Media, Chairman of the South African Reading Foundation, and Judge in season 4 and 5 of SABC 1 programme One Day Leader. In 2017, he was selected to serve as a judge in the Gauteng Premier’s Service Excellence Awards.

He grew up in Kagiso, which is in the West Rand of Johannesburg and started his first company Ditshego Media in 2011. Three years later, on 5 February 2014, he was listed as one of Forbes Magazine’s top 30 African Entrepreneurs under the age of 30.

In November 2016, Tebogo Ditshego received the “Nestlife Assurance: Young Business Achiever of the year” award at the BBQ Magazine awards.

He is the founder of South Africa’s biggest online book club Read a book SA which has over 39,000 followers on Twitter, and over 15,000 books recommended by its followers. Tebogo Ditshego is the author of bestselling fiction book “Kasi Nerd” which he published and distributed through Ditshego Media. It was launched on 22 April 2016 and is available at Exclusive Books & Van Schaik Bookstores.

On 24 January 2017, Tebogo Ditshego was voted as Avance Media’s most influential young South African in business. He went on to participate in the Austrian Leadership Programme organised by the Austrian Government, for International Business Leaders in March 2017. In 2015, Tebogo Ditshego was listed as one of Fast Company Magazine’s top 100 most creative South Africans in business.

Tebogo Ditshego was nominated for the University of Johannesburg’s Alumni Dignitas Award in 2015, which honours graduates who achieve a dynamic legacy of accomplishment. He represented the University of Johannesburg twice consecutively at the annual Southern African Communications Conference for his Honours research essays.

He holds an Honours Degree in Communications from the University of Johannesburg and he has a certificate of completion in a Business and Entrepreneurship course from the University of Wisconsin in the US.

SEIF KABELELE: What is the greatest mistake you’ve committed in your current position and how has it contributed to building your mental capabilities as a leader?
      TEBOGO DITSHEGO: I made three mistakes that really stood out in the early         
            Ages of starting Ditshego Media;
Using the spray and pray method. I wrote a standard email and sent it to the various companies who we wanted to work with. This almost led to a couple of successful deals being made, but it didn’t quite work out. The lesson I learnt from this inspired Ditshego Media’s slogan “Tailor-Made Solutions.” We don’t offer any two clients the same solutions because every organisation has unique objectives, dynamics and challenges, which we need to resolve.
SEIF KABELELE: How did you go about developing your brand as a young entrepreneur?
      TEBOGO DITSHEGO: My brand was built like the Ancient Egyptian Pyramids.     
       With an ambitious long-term vision, a solid educational foundation, and at a
        Standard that put us in a position to inspire future generations of Africans.
        You have to take it one step at a time and live your brand, so that it can
        Withstand challenges when it is put to the test.
       SEIF KABELELE: You launched a company and failed. Why?
TEBOGO DITSHEGO:   The company failed mainly because it was started without capital, the market wasn’t too receptive and because I was a novice in the world of business.
SEIF KABELELE: What lessons did you apply when re-launching the business in 2011?
TEBOGO DITSHEGO:   We went from being a mass producer in terms of marketing services to a marketing company that offers Tailor-Made solutions. As you would know an outfit that is tailor-made makes you look much sharper than one that wasn’t designed especially with you in mind.
SEIF KABELELE: How did you succeed in building the reputation of this new business?
TEBOGO DITSHEGO:   Our team constantly goes the extra mile and continuously comes up with innovative solution that place us a step ahead of the competition. We’re very agile and responsive and the company’s philosophy comes to life in our work and the results we achieve for our clients. So this helps us with our brand because we don’t just talk the talk, we also walk the walk.
SEIF KABELELE: How has social media enabled you to grow the company?
TEBOGO DITSHEGO:   It has cut out the middleman and provided us with a platform to showcase our offering for all to see. Social Media was a game-changer because companies could no longer use their decades of experience to gain an edge over startups, it leveled the playing field.
SEIF KABELELE: What book changed your life?
TEBOGO DITSHEGO:   “The African Origins of Civilisation” and “Precolonial Africa” by Cheikh Anta Diop. These books played a major role in developing my pride in Africa and shaped the lenses through which I view the continent. It also shattered stereotypes about Africa being a dark continent, because this indeed is the cradle of civilisation.
SEIF KABELELE: What inspired you to start ‘ReadABookSA’? And why did you choose to do it via twitter?
TEBOGO DITSHEGO:   I envision an Africa that leads in invention, innovation and knowledge production that is globally competitive, In order for Africa to reach its full potential we need to develop a culture of reading and hunger for knowledge. So I started ReadabookSA and used my marketing expertise to spread a culture of reading and also to make it cool to be intelligent, hence I coined the term IntellectualSwag.

SEIF KABELELE: What is the one thing that young people that want to emulate you would have to learn to sacrifice or do without in order to get to where you are?
TEBOGO DITSHEGO:   A winner is a loser who is to stubborn to give up. Never give up.


The Zanzibar International Film Festival tonight hosted its official Awards Ceremony, presented by Zanlink.

At this event, the various juries presented all of its awards, from the annual Silver and Golden Dhows to a host of new awards including the Trace Mziki East African Music Video Award and the Adiaha Award for Best Female African Documentary Filmmaker.

After eight days filled with film screenings, over 15 different workshop programmes, live music, and ZIFF’s first film and TV market SOKO FILAM, ZIFF 2017 was a major success, appreciated both by the hundreds of industry players in attendance, as well as audiences from across the globe.

Over 50 filmmakers in attendance from over 12 countries were joined by more than 100 SOKO FILAM delegates, as well as workshops facilitators and jury members from around the world. ZIFF’s Chief Guest, US-based producer Dexter Davis conducted a three-day workshop that culminated in a pitching competition for African filmmakers.

Davis announced a prize for the winning pitch of between $50 -200,000 to produce the feature film. The winner of the competition was Amy Lusekelo from Tanzania.

ZIFF also announced the dates and theme for the festival 2018, that will take place from July 7th – 15th with the theme Speak Up and Say It! Sema na Usikike.

There are times when silence speaks very loud but most of the time when we do not speak we lose more than sound. When we speak up it is because we feel that silence will not do. We speak up to stand for what we believe in and we speak up to stand for others. We often speak up because we can no longer stand silent when we see oppression taking place. But speaking up requires courage, consistence and taking position.

Through film we can speak up and let all those who see a movie or hear about it know that we can never be silenced.

So speak up and just say it!

ZIFF would also like to take this opportunity to thank its key sponsors and partners:

Danish Film Institute
DoubleTree by Hilton
British Council
Maru Maru Hotel
Azam Marine Division
Trace Mziki
US Embassy Dar es Salaam
Kenya Film Classification Board
Milele Zanzibar Foundation
Ethiopian Airlines
Emerson Foundation
Goethe Institute
Sauti za Busara
Italian Embassy Dar es Salaam
Embassy of Israel
Park Hyatt Zanzibar
Clouds Plus TV
African Movie Channel
Maharaba Swahili Music Festival
Wanene Productions


Film School Award
The Final Border – David Wayne Smith (AFDA South Africa)

Best East African Talent Award: Kony: Order from Above, Steven Ayeni (Uganda) - $1000
Best African Film: Noem My Skollie/ Call me Thief, Daryne Joshua (South Africa)

Chairperson / Bi Kidude Award
White Potion: Ash Mswaki, (Tanzania/Turkey)

Adiaha Award for Best African Female Documentary Sponsored by O MESS (Nigeria) and Red Flag Content Relations (South Africa) ($2000)
The African Who Wanted to Fly: Samantha Biffot (Gabon/Belgium/France)

Emerson of Zanzibar Foundation Award
Kokota: Islet of Hope: Craig Norris

European African Film Festival Award (1000 Euros)
T-Junction: Amil Shivji (Tanzania)

Sembene Ousmane Awards ($2000 each)
The Hangman: Zwelethu Radebe (South Africa)
Maria: Kamau Wandungu (Kenya)
Gerretta: Mantegaftot Silehshi

Trace Mziki East African Music Video AwardWinner to receive video produced by Wanene Productions.
Eddy Kenzo – Jubilation (Uganda)

Bongo Movie Awards presented by Comnet
Best Actress: Hawa Ally in T-Junction
Best Actor: Ibrahim Osward in Hadithi za Kumekucha: Tuna
Best Editor: Freddy Feruzi: Genge
Best Cinematographer: Freddy Feruzi: Genge
Best Screenplay/Writer: Kiumeni, Ernest Napoleon and Daniel Manege
Best Film in Sound: Homecoming; Seko Shamte
Best Director: Nicholas Marwa; Kiumeni
Best Feature Film: T-Junction; Amil Shivji

Best Short Film: The Hangman, Zwelethu Radebe (South Africa)
Best Animation: TIS, Said Hamich (France)
Best Documentary: Mama Colonelle, Dieude Hamadi (DRC)
Best Feature from Dhow Countries: Half Ticket, Samit Kakkad (India)
Best Short from Dhow Countries: Azaad, Rahul V. Chitella (India)
Best International Film: Wallay, Berni Goldbat (Burkino Faso / Qatar)
Best African Film: Watu Wote / All of Us, Katja Benrath (Kenya)

Golden Dhow for Best Feature Film presented by Showmax ($3000)
Noem My Skollie/ Call me Thief, Daryne Joshua (South Africa)